The integrated mosaic workshop

I returned last evening from an overnight visit to our project centre in Bhairahawa in the southwest of Nepal. Bhairahawa is a mere stone's throw from the Indian border and a slightly longer chuck from Lumbini, which is the birthplace of Buddha. In December we collocated our two mosaic workshops, transferring the child trafficking survivors at the Kathmandu workshop to join the deaf school leavers at the Bhairahawa workshop. This has proven to be quite fascinating and highly successful as disabled young people and able-bodied girls work side by side in an integrated workshop. The girls have all learned sign language and joining in their party games on Tuesday evening I really had to remind myself that most of the group was deaf. I found it lovely to witness the joy of it all.


A large part of the magical atmosphere of the place stems from the volunteers, past and present, who have given so much of themselves in inspiring and training the students. The workshop is currently managed by American artist Carol Hummel (http://www.carolhummel.com/om/) whose good humour and sense of fun is quite infectious. She has just recently been joined by a second artist, Hazel Fullerton, and the group is complemented by two gap year students over from Cyprus, Alex and Jade. The scope of the training has mushroomed - literally - with training in mosaics being complemented with English and IT classes and, er, growing of oyster mushrooms in a shed at the back.


With its proximity to Buddha's birthplace we hope that we can find a market for appropriate mosaics that can be offered to tourists who pass through the area. These are now being made in a range of dimensions from life size (that would work well in a local building) to small portraits that can be squeezed into a rucksack. My Presbyterian roots mean that I am not a particular fan of religious imagery (such things are banned from the kirk!) but if this theme gives jobs to marginalised young people I am all for it.